— Adrian Hummel

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Tag "music video"

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This is the new video from Eisley’s title track The Valley. They should have a new EP coming out soon. I think it will probably be around the first of the year.

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The new record Vice Verses is now officially out! I have been waiting on the release of this record, because I feel that this is some of the best work Switchfoot has done yet. I always felt that Hello Hurricane put Switchfoot back on the map and paved the way for the future of Switchfoot. I also think Vice Verses is a great follow up to the Hello Hurricane. If you have heard the new record or have read anything about it you know one thing that is pretty prevalent with Vice Verses is the sound of the record. This is one of the things that most people have talked about. Tim even mentions it in the interview. This record is more bass and drum driven. Some songs it might be hard to pick up, while others it is pretty obvious. The record still sounds like a Switchfoot record but there are distinct differences that make this record unique. The album deals with the polarity of life, the highs and lows, the beauty in the pain, and ultimately hope. What amazes me is that 15 years later as a band Switchfoot is still making music that is lyrically challenging and sonically amazing. Vice Verses is no exception and if this record is the new sound that Switchfoot is heading in, I think a lot of people will say how their music has stood the test of time.

Below are some of my thoughts about the songs off the new album Vice Verses, if you want to hear my interview with Tim Foreman feel free to click on his name to bring up the audio. In the interview Tim and I talked a lot about his parts on the new record, when they came up with the idea for Vice Verses and his thoughts on some of the songs.

The video is the second part of the interview to understand the full conversation listen to the 1st part and then watch the second.

Afterlife I really like how this song starts off the record. I think Afterlife is characteristic of Switchfoot’s style lyrically. The song talks about action and why wait to make change when you can do something about it now. Why wait for the “afterlife to come alive” when you can do come alive now? I love how this song encourages action.

The Original reminds me of a infectious 60′s funk song that tinkers on the verge of something Jimmy Hendrix would of wrote and smiled about. Lyrically it pushes and challenges people to step outside of their comfort zone to be free. On a side not I could easily see this song in a Gap Commercial, wait I bet this happens.

The War Inside has a play on words that Jon works so well into songs. For example the lyric “every fight comes from the fight within” leaves the person thinking about the context of that statement longer after the song is over. I feel like this is one of the stronger tracks off the album and definitely displays the new sound of Switchfoot. Not only does Jon wrestle with the idea of the war inside but also answers the question ultimately pointing the finger at himself saying “I am the war inside” suggesting that we need to hold ourselves more accountable for our actions.

Restless this is the first balled esq song off Vice Verses and lyrically Restless fits within the context of what Switchfoot is comfortable with. Questioning the unseen, while looking and searching for the answer. The easiest and most honest display of the theme Vice Verses in the record. The idea of longing for something you know your capable of, but yet something you haven’t fully grasped. The idea of hope but for there to be hope there has to be friction. That is restless.

Blinding Light I feel like this is another song that is geared more towards the homeless kids, and our a younger generation. Jon spends the majority of the song talking/singing towards a younger generation.

Selling The News I was really excited to hear this song and I think that it is one of if not my favorite off the cd. A spoken word song from Switchfoot? When I first heard about this I wasn’t sure it was going to work and then I heard it and it does. Selling The News is a song that is about what the title suggests. How the media interprets the facts and spins the story to create something that will sell, and then how we digest it as Truth. Love it.

Thrive is a song that I really identified with on the record, and I have a love hate relationship with it. I love it because the lyrics speak truth to me, which is hard to grasp. This is also a new indication of the sound. More bass driven and rhythm. I love the lyrics “A warm body doesn’t mean I’m alive” and “I want to Thrive not just simply survive.” I get chills listening to that and also get encouraged.

Dark Horses is the first radio single off the new record and is a song about the homeless kids that the Bro-Am helps through Stand Up For Kids. A really great song and Jon talks alot about it in depth in our previous interview we had.

Souvenirs is going to be a sleeper song for me. It doesn’t mean its bad because I like Souvenirs and I think it fits within the theme of Vice Verse ie polarity.

Rise Above It This is another song that relies heavily on the bass and drums and is pretty groovy. Lyrically, it speaks to overcoming adversity. Pretty infectious.

Vice Verses is the title track and the most obvious song dealing with the idea of polarity. This song is the backbone of the record. It was written very early on in the process and almost made Hello Hurricane but the band decided it needed to be on its own record. Thus Vice Verses was born and the theme of polarity and finding beauty in destruction was the central theme for the new record.

Where I Belong Tim Foreman talks alot about this song in our interview and while my perspective has changed on the song since hearing it, I have to agree the song has new meaning. I think I let Tim explain his thoughts on this.

So there we have it, my thoughts on the new Vice Verses record with some commentary from Tim. I already know this will be on my list of top albums for 2011. No questions. I have been lucky enough to chat with both Tim and Jon and can tell they are both genuine people. This is one reason why Switchfoot is different from so many other bands out there, and why they have put out their 8th album which is arguably their best work yet.

Tim Foreman interview

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This is good music. I have always enjoyed the sounds of Needtobreathe and can’t wait to hear The Reckoning out in stores on the 20th of September. I will be waiting up all night in anticipation of this cd. I mean I will be waiting up all week in anticipation for this cd. I mean all month.

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Ah, another video from a band and not to sound too critical but it seems that this is all the video is. Just a video. I dig the song, but the performance shots mixed into random close ups are getting a little tired and trite. This is just me generally speaking about what I have seen from music videos lately. The song is good, and the album I really enjoyed but I know Emery is more creative than this.

Tracklisting:
1. The Cheval Glass
2. Scissors
3. The Anchors
4. The Curse of Perfect Days
5. You Wanted it
6. I’m Not Here For Rage I’m Here…
7. Daddy’s Little Peach
8. Addicted to Bad Decisions
9. I Never Got To See The West Coast
10. Fix Me

Catch my interview with Josh Head of Emery talking about the album here.

Pick up the new album We Do What We Want on iTunes for 6.99.

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The video, from the song, from the band that helped define a generation of alternative music. Nothing will compare to the RHCP. I liked the song when I first heard it but then saw the video and felt that it was fitting especially after reading the story behind the song.

The song that was almost a B:Side Kiedis explained to MTV;

“When I first heard ['Maggie'], I didn’t know it would be a single. [But] I knew that I loved the jam,” Kiedis explained. “My first recording of that, I don’t think it had many vocals on it. It was kind of mostly instrumental, about an hour long. Flea brought it in as a very specific exercise to write a classic bass line. He woke up, had his tea, sat down: ‘I’m going to write a classic bass line. You can’t stop me.’ Played his bass line until he felt it was cooked into a classic, brought it to us and said, ‘This is Classic Number One.’ On a good day, you just know if there’s music to wrestle with and get with, and it was one of those moments. I took it home and it felt so fun to listen to at length that I literally left it on in my driveway, opened the door and danced with the tree next to me for quite a while,” he said. “I had no idea that it would even be a song, I just thought, ‘Oh, this is a great dance track. Let’s put it on as a B-side, [an] hour long.’ And then, as fate would have it, people heard it, and they were like, ‘Oh, that’s your best thing right there. That’s your best thing.”

The song inspired by an hour long bass track from Flea got me thinking. I don’t really remember any interviews that Flea has done and it got me searching and then I found this vintage clip of him visiting Conan way back in the late 90′s.

The new record cannot get here fast enough.

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Owl City Debuts New Music Video for “Deer in the Headlights” From New Album
All Things Bright and Beautiful

Nashville, Tenn. June 30, 2011…. Weeks after the release of his highly anticipated sophomore album All Things Bright and Beautiful, Owl City is unveiling the nostalgic and quirky music video for “Deer in the Headlights.”

AOL premiered the video and can currently be viewed exclusively at aolmusic.com. The video is also being featured on Owl City’s AOL Music Artist page, AOL Music Blog, Just So You Know, and AOL’s Twitter and Facebook accounts. In the video, Adam Young of Owl City finds himself traveling in a “Back to the Future” inspired DeLorean and takes a ride through his imagination seeing everything from a jellyfish to a Tyrannosaurus.

“It’s a quirky video for a cheeky song that quips, ‘Why are we in love if it’s for all the wrong reasons?’” Young said. “The song is about fending off the blinding light of superficial fluff relationships and saying, ‘Thanks, but I’d rather be alone and thus avoid a million shallow heartbreaks until I meet the girl of my dreams.’”

All Things Bright And Beautiful, which debuted in the top 10 of the Billboard 200 in its debut week, is available now and is the follow-up full-length studio album to Owl City’s platinum-selling Ocean Eyes. Released in July 2009, Ocean Eyes was certified platinum in just eight short months and earned Owl City a slew of critical acclaim (New York Times, Rolling Stone, People, Entertainment Weekly, USA Today, etc.). Ocean Eyes’ sales were led by the runaway single “Fireflies” which is currently quadruple platinum in the US. “Fireflies” hit #1 on the Hot 100 twice and found its’ way to the #1 spot in 24 countries around the world.

In support of the new album – All Things Bright And Beautiful – Owl City is currently performing shows across the United States as part of the North American leg of his headlining world tour– confirmed dates below. For the most up-to-date information, please visit www.owlcitymusic.com.

About Owl City:
Owl City’s Adam Young, an unassuming 24 year-old Midwesterner, catapulted onto the music scene with the blockbuster success of Owl City’s major-label debut album — the lush, lovingly created Ocean Eyes, which was released by Universal Republic Records in July 2009. Filled with whimsical melodies and blissful beats that Young conjured up alone in the basement of his parents’ home in Owatonna, Ocean Eyes topped the Billboard Rock, Alternative, and Dance/Electronic charts and was certified gold or platinum in nine countries, including platinum in the U.S. The album spawned the quadruple-platinum first single “Fireflies,” which was a No. 1 smash hit in 24 countries including the U.S. (where it hit the top spot twice), and sold more than four million downloads. Its eye-popping success has made Owl City an international phenomenon, selling nearly 12 million tracks worldwide and amassing an impressive touring record, including support stints with Maroon 5 and John Mayer, and sold-out headlining tours in which Young, backed by a five-piece band, performed for besotted fans in the U.S., Europe, Australia, New Zealand, and Japan. Owl City will release the highly anticipated follow-up, All Things Bright and Beautiful, on June 14.

www.owlcitymusic.com
www.twitter.com/owlcity
www.facebook.com/owlcity

Tour Dates
*For the most up to date tour information, visit www.owlcitymusic.com
June 13 Ryman Auditorium Nashville, TN
14 Tabernacle Atlanta, GA
16 House of Blues Orlando, FL
17 Fillmore Charlotte, NC
18 Pier Six Baltimore, MD
20 Olympia Montreal, QC
21 Kool Haus Toronto, QC
23 Roseland Ballroom New York, NY
25 The Mann Philadelphia, PA
26 House of Blues Boston, MA
28 Egyptian Room Indianapolis, IN
29 Fillmore Detroit, MI
30 Summerfest Milwaukee, WI
July 1 LC Pavilion Columbus, OH
11 Uptown Theatre Kansas City, MO
12 Fillmore Denver, CO
13 MacKay Event Center Salt Lake City, UT
15 Paramount Theatre Seattle, WA
16 The Center Vancouver, BC
17 Roseland Ballroom Portland, OR
19 Warfield Theatre San Francisco, CA
21 Club Nokia Los Angeles, CA
23 Fox Theatre Pomona, CA
25 Verizon Theatre Houston, TX
26 Verizon Theatre Dallas, TX
27 ACL Live Austin, TX
29 Aragon Ballroom Chicago, IL
30 Roy Wilkins Auditorium Minneapolis, MN

Adrian Hummel is an Afternoon Drive rock radio dj & Music Director from Dallas Texas currently at 89.7 Power FM (kvrk) Read his full bio to learn more about him. Subscribe and stay up to date with the latest interviews and music news!

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A trippy psychedelic colorful video from Coldplay. Is it me or do a lot of bands seem to be using stop motion photography and editing in their videos? I like it, but after a while you feel like your off base or something. New album should be out later this unless you know they break out in a fight again.

Adrian Hummel is an Afternoon Drive rock radio dj & Music Director from Dallas Texas currently at 89.7 Power FM (kvrk) Read his full bio to learn more about him. Subscribe and stay up to date with the latest interviews and music news!

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This new video debuted today on Altpress.com, and is the first single off of Deas Vail’s new self titled album which comes out in stores September 6th. The album was co-produced by Matt Hoopes of Relient K.

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This is the premiere of Rise Against’s new music video, “Make It Stop (September’s Children).” This video was filmed at the lead singers old high school and deals with bullying. A topic that has been an important issue of late with the multiple teen suicides this year. The video ends with Dan Savage’s “It Gets Better” Project, and features videos from celebs and everyday people telling LGBT youths that life does get better.

“I decided to create the song as a response, and when I discovered the It Gets Better campaign and Dan Savage’s commitment to such an important and concise message, I was moved,” McIlrath said. “I immediately felt that if our song is the road, then the It Gets Better campaign is the destination. I hope the synergy between the two can reach people and make a difference.”

What do you make of the video and Rise Agianst’s decision to support anti-bullying? Do you think this is an important issue that affects the youth of America?

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